-8.4489, 115.6094
Karangasem
The east. Water palaces, black sand, and ceremonial life that carries on largely unobserved by anyone with a camera.
In development — not yet taking bookings
Five days of street and documentary photography in Bali — the places everyone knows, and the ones you would never find on your own.
KarangasemNorth BaliDenpasar

The premise
These trips are built to help you explore some of the most distinctive parts of Balinese culture — ceremony, ritual, work, and ordinary street life — and to photograph them in your own way. I have been photographing here for more than ten years, and everything that decade has taught me goes into the five days.
Bali can be a tricky place, because a lot of its beauty is hidden. Helping you find it, and photograph it, is my job.
So we work from Karangasem in the east, from Munduk in the highlands — the north coast at Singaraja is an hour down the hill — and finish in the streets of Denpasar, a working Indonesian city of nearly a million people.

What we do
Street work in Denpasar — crowds, markets, and the pace and nerve it takes to photograph strangers well. Documentary work in the east and north — ceremony, ritual, village life, the slower kind of seeing that needs patience and access more than it needs gear.
We shoot early and late, and go through your work with you in between. You'll edit as you go, not three months later when you've forgotten what you were thinking.
Where we work
-8.4489, 115.6094
The east. Water palaces, black sand, and ceremonial life that carries on largely unobserved by anyone with a camera.
-8.2647, 115.0797
Where we stay in the north, up in the highlands. Cloud, coffee, and the kind of light that arrives for twenty minutes and asks you to be ready. Singaraja — the old colonial capital, harbour and market — is an hour down the hill, and we go at first light.
-8.6705, 115.2126
A working city of nearly a million people, and a genuine street photography town.
Each of the four planned weeks is built around a different ceremony. The proposed itineraries are below.
Group size
Everyone gets proper one-to-one time every day, on their own pictures, and there is room in the week to teach each person at the level they are actually at. That is why all levels are welcome — beginners, and people who have been photographing for thirty years.
A group that size also moves easily. We can walk into a market or arrive at a village ceremony without changing it, which matters when the whole point is photographing things as they happen.
Selected work





From Praying in the Rain.
Who runs it
Michael Dean Morgan is an Australian photographer working in documentary and street photography, based in Bali.
Born in Darwin, he studied New Media Design at Charles Darwin and Curtin universities and worked as a studio designer before photography took over. His debut book, Looking for Bali, was published by Afterhours in Jakarta. Praying in the Rain, a body of work on how the Balinese encounter the divine, carries an accompanying essay by the writer Diana Darling. An ongoing series, Electric Dreams, documents the warung coffee stalls and vintage television sets of Indonesia.
The details
Press
“Michael Dean Morgan's compelling depictions of Bali provide a refreshing alternative to pervasive renditions of the Indonesian Isle.”
Josh Bright, The Independent Photographer, 2022
“Each photograph is able to evoke smells, mystical and aromatic sensations of Balinese reality.”
Giorgia Massari, Collater.al
“A sustained inquiry into how ritual and contemporary existence share the same space.”
Uday Khambadkone, Between, Still, 2026
Michael's first book, Looking for Bali, was published by Afterhours Books in Jakarta.
The weeks
Each would be five days, built around a ceremony rather than around a convenient gap in the calendar. They are worked out in detail but not scheduled, and nothing here is for sale yet.
Melasti to Ogoh-ogoh
Melasti processions to the sea early in the week, ending on the Ogoh-ogoh parade the night before Nyepi.
Village ceremonies in the east
Timed for the village harvest ceremonies (usaba) in Karangasem.
Galungan
Starts on Penampahan, the day before Galungan, the biggest festival of the Balinese year. Streets lined with penjor, temples full, families home.
The barong gathering at Pucak Padang Dawa
Includes the temple festival at Pura Luhur Pucak Padang Dawa, where barong from villages across Bali gather.
Register your interest
This workshop isn't taking bookings. If you'd like to hear if and when it goes ahead, leave your details.
Nothing is booked or charged here. Your address is used to answer you and to tell you if this goes ahead, and nothing else.
Questions
A body of work from the week, edited and sequenced. And, more usefully, a clearer idea of what you are trying to say with your photography and how to go about saying it. That part isn't about Bali — it works on whatever you photograph once you are home.
Any.
Whatever you already have and like using. Digital or film, one lens or three, a phone if that is what you photograph with. Nothing in the week depends on particular equipment and no part of it is a demonstration of anyone's kit. Bring a laptop if you have one, for the editing sessions.
Yes. Bring plenty — and note that the editing sessions will be less useful to you.
Get in touch. It depends on the group and the accommodation.
Some early starts and a reasonable amount of walking, often in heat. No hiking beyond the ordinary.
Eight at most. Everyone's work gets looked at properly every day.
No. Everyone gets their own room and there is no single supplement to pay.
It ends on the night of the Ogoh-ogoh parade, and the following day the island shuts down completely for Nyepi — including the airport. You will need one extra night and cannot fly out until the day after. It is the quietest day you will ever spend, and we use it to edit.